Today inspired me the amazing artwork from Laurent Chéhère....so I wanted to share with you some of his stunning pictures! This series is called "flying houses".
Inspired by the forgotten neighbourhoods in Paris, Chéhère brilliantly highlights the unsung beauty and details of the architecture! via laurentchehere
Dienstag, 2. Juli 2013
I'm Back!
Hey,
I'm still alive:-)
Had to work hard for my final exams and Fashionshows but now I'm back and I'll try to post more in the future! Thank you so much for still following me...
xxDani
I'm still alive:-)
Had to work hard for my final exams and Fashionshows but now I'm back and I'll try to post more in the future! Thank you so much for still following me...
xxDani
Dienstag, 29. Januar 2013
Elegance is refusal
I'm in love with the new Balmain Pre-Fall 2013 Collection!
There were minidresses pieced together from mosaics of brown leather lacquered to look like the Oriental screens in Vreeland's office; double-breasted blazers worn without pants that were cut from multicolor, metallic-shot jacquards; chiffon halter dresses in a burnished bamboo print; and more velvet, suede, and lamé than the editrix could wear in a year.
Rousteing made it all look modern with Balmain's trademark, sky-high hemlines and the boxy, masculine cut of his jackets. This time around the tailoring had a distinct Japanese look with obi belts, wrap closures, and sculptural, rounded sleeves. Pants could be second-skin tight, or loose and flowing in a directional sarouel style, which felt more Arabic. "I love to mix cultures—that's my thing," Oliver Rousteing said.
Good job...
There were minidresses pieced together from mosaics of brown leather lacquered to look like the Oriental screens in Vreeland's office; double-breasted blazers worn without pants that were cut from multicolor, metallic-shot jacquards; chiffon halter dresses in a burnished bamboo print; and more velvet, suede, and lamé than the editrix could wear in a year.
Rousteing made it all look modern with Balmain's trademark, sky-high hemlines and the boxy, masculine cut of his jackets. This time around the tailoring had a distinct Japanese look with obi belts, wrap closures, and sculptural, rounded sleeves. Pants could be second-skin tight, or loose and flowing in a directional sarouel style, which felt more Arabic. "I love to mix cultures—that's my thing," Oliver Rousteing said.
Good job...
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